All Access Staff

Staff Bios

Lauri MacLean
All Access Director

Lauri along with her passion and enthusiasm, brings her successful track record of arts administration and business expertise to SoCCA.  A celebrated dance innovator with more than twenty years’ experience at the helm of her own dance studio, she is recognized in the regional creative community for her significant contribution to the field as both an artist and educator.  Articulate, committed and energetic in all her roles, she has consistently dedicated herself to making the arts accessible to people from all walks of life with all abilities.  Hall Neighborhood House, Regional Center for the Arts and URU The Right to Be, Inc. are some of the non-profits that have benefitted from her vision.  Lauri is eager to implement the All Access mission of SoCCA;  to provide holistic, integrative arts programs, utilizing a best practices curriculum to target the physical, spiritual and financial needs of SoCCA students.

James Brunelle

James Brunelle, Jr
All Access Assistant Director

James has administrative employment history working with regional non-profit art centers, museums, public and private schools in outreach education, administrative program coordination, and studio management.  He’s received graft funding for individual fellowships, implemented partnership projects through NEA funded programs, and has received awards for his works in ceramics, printing and painting from museums, arts organizations and art festivals.  He has completed studio work within Artist Residencies at English Harbour Arts Centre, English Harbour, NL, and Billings Forge Community Works, Hartford, CT.  James also continues ongoing professional associations with Gordon Fine Arts Gallery, Stamford, CT, contracts preparatory and auction work with Trinity International Auctions, Avon, CT, and is an active Board Member and Studio Manager with Art League New Britain, New Britain, CT.

Ulla Budde
Master Weaver
Ulla began volunteering with the Access Program by donating her floor loom to the fiber studio, and is now on staff as a program assistant working directly with program participants.  Her talents include weaving, sewing and working for area designers in customizing home accessories and decor.  Many of the pieces represented in the gift gallery have been finished by Ulla.

Liz - Guest Artist

Liz Squillace
Guest Artist

Earning accolades all over the tri-state area for her visionary projects and community outreach, Liz Squillace is a Bridgeport-based artist and owner of Paradox Ink—screen printing, public art, and murals. Squillace founded Paradox Ink in 2002 in a studio in Stamford, moving it to the Arcade Mall in 2013 as part of the Create Here Now program to turn vacant spaces into vibrant places. Her newest public art project is the Painted Stairway of the Broad Street Steps. For this, the artist partnered with Bridgeport Generation Now! and painted with the local and artistic community. Squillace has also painted fifty utility boxes throughout Fairfield County and continues to enhance urban environments by bringing art to public places. Squillace is a Rhode Island School of Design graduate and resident of Read’s Artspace live/work studios. To see more of the artist’s work, visit

Ruben - Guest Artist

Ruben Marroquin
Guest Artist

Ruben has had an art studio in the historic Arcade Mall located in downtown Bridgeport for the past 5 years. He has taught weaving class in Bridgeport, Fairfield and Greenwich schools. More
recently Marroquin has been making sculptural wall art for  renowned interior designer Kelly Wearstler. The sculptures are made of bamboo, metal and wooden rods with other objects assembled in an underlying structure which is then wrapped with textiles creating topographic surfaces which are for the most part abstract in style. These unique creations are the result of two decades of experimentation with textiles using embroidery, weaving, collage and other mixed medias. “Ruben Marroquin, American-born with roots in Guatemala and Venezuela, discovered the avenue of textiles during art school in Caracas. Out of necessity a bag of rags replaced paint. While cutting, sewing and stitching Marroquin realized that the materials provided him with something he hadn’t been looking for. A happy coincidence or not, he has since—thanks in part to travelling around Guatemala and becoming acquainted with the textiles culture in the land of his father—painted and sculpted with needle, thread and fabric.” - Frank vann der Ploeg